Ai Weiwei – Blenheim Palace

Ai weiwei’s largest UK exhibition to date opened yesterday at Blenheim Palace in Woodstock. Excited to have this literally on my doorstep I was desperate to visit as soon as I could.


Blenheim Palace

This is fantastic opportunity to see a range of his work from the whole of his career. From 1983 to a piece created specifically for this exhibition. Given that Ai Weiwei is currently unable to leave China because his passport has been confiscated, this exhibition must have been an enormous undertaking to put together. Using models, detailed drawings and architectural plans the Blenheim Arts Foundation and Ai Weiwie have collaborated to bring together more than 50 pieces of work from over 30 years.


Han Dynasty Vase (202BC – 220AD) with Coca Cola logo 2014 Han Dynasty Vase (202BC – 220AD) with Caonima logo 2014 Owl House 2010

By using ancient vases that he then covers in industrial paints he asks us to consider the value and meaning of an original artwork over something newly created..

ai weiwei 1 Blenheim Palace

left: Han Dynasty Vases (202BC – 220AD) in Auto Paints, 2014 right: He Xie, 2012

The title ‘He Xie” literally translates as “River Crab” but in Chinese this also sounds like “Harmonious” which is used as part of the Chinese Communist Party slogan. In November 2010 the Chinese authorities announced that Ai Weiwei’s new studio in Shanghai would be demolished. Ai Weiwei invited guests via social media to a meal of river crabs as a protest, he was then placed under house arrest and was unable to attend this meal himself.

Study of Perspective aiweiwei

Study of Perspective, 1995 – 2011

The Study of Perspective series is a comment about the conflict between the individual and theĀ  institutional state power.


Circle of Animals, 2010

The twelve zodiac signs are a traditional Chinese symbol. a series of these were previously stolen from Yuanminguan by the British. These came to symbolize the new China, these are an ironic reaction to this situation.

bowl of Pearls - Ai Weiwei

Bowl of Pearls, 2006

Bowl of Pearls references both porcelain and rice as staples of Chinese culture but the fact that on closer inspection the bowl is filled with pearls asks us to question the importance between the collective and the individual, does the value of each pearl diminish because there are so many?


Soft Ground, 2014

Soft Ground was created specifically for this exhibition, this carpet design is based on a strip of dirt road. Replacing the usual red carpet with this creates a juxtaposition between two very different ways of life.

This exhibition is an amazing opportunity and situated amongst the contents of the palace makes this an unusual but really interesting exhibition space. Sadly however you do have to work your way through coach loads of tourists, with only bemused interest in Ai Weiwie, to see each piece . More explanation with each piece at the exhibition would have enabled the majority of viewers to engage more fully with the work on exhibition there.



Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )


Connecting to %s